ⓒ Luana Santos
Creation by Carolina Cantinho
June 21, 2024, at the Auditório Fernando Lopes-Graça, Almada (premiere)
24' | ages 6 and over
“quanto tempo o tempo tem?” (how much time does time have?) reflects on the human bond with time, increasingly ephemeral and suffocating. Time, which, in the hypermodern world, simultaneously brings us closer and further away, causes a change in the state of presence in ourselves and in our relationships with others. We are busy, tired, obsessed with producing and not failing. Why? It is important to revive the search for a deeper and more authentic meaning. Carolina Cantinho
Creation: Carolina Cantinho
Performance and Co-creation: Bruno Duarte, Inês Barros, Lúcia Salgueiro, Mariana Romão, Raquel Tavares and Vítor Afonso
Music: Jacques, Superpoze, Porter Ricks, Bowery Electric, Murcof, Thom Yorke e Angus MacRae
Selection of Costumes: Carolina Cantinho
Light Design: Paulo Santos - Stageplot
Rehearsal Direction: Maria João Lopes
Carolina Cantinho has been a contemporary dance teacher, performer and choreographer in collaboration with different creators and institutions for over 15 years. She is the co-founder of CAMADA - Centro Coreográfico, in Faro, where she has assumed artistic direction since 2020. She develops pedagogical and choreographic work with different age groups, in national and international dance institutions such as Opus Ballet (IT), Escola Artística de Dança do Conservatório Nacional, ESD - Escola Superior de Dança, Quorum Academy, Companhia de Dança do Algarve, Centro de Dança do Porto and AMDA/dansul project, among others. As a performer, she works with different national entities and creators on multidisciplinary artistic projects. She has international choreography awards, including Most Innovative Choreography (DWC Bucharest, 2015), 1st place in the Netherlands Choreography Competition (Harlem, 2017) and Best Choreography and Innovation Award (VIBE Vienna, 2019). She has choreographed for Projecto Quorum (Amadora, 2017), for Opus Ballet (Florença, 2019) and for AZul – Rede de Teatros do Algarve (2019). She has a master's degree in Contemporary Choreographic Creation (ESD, IPL, 2012), developing her own creations, of which she highlights: “Outra Voz” (2012), “And if you could explain it better?” (2014), “Ponto Zero” (2015), “Offline” (2016), “Antifrágil” (2018), “Chama-se amor, amor” (2021) and “iD” (2022).
Carolina Cantinho é professora de dança contemporânea, intérprete e coreógrafa em colaboração com diferentes criadores e instituições há mais de 15 anos. É cofundadora da CAMADA - Centro Coreográfico, em Faro, onde assume a direção artística desde 2020. Desenvolve trabalho pedagógico e coreográfico com diversas faixas etárias, em instituições de dança nacionais e internacionais como Opus Ballet (IT), Escola Artística de Dança do Conservatório Nacional, ESD - Escola Superior de Dança, Quorum Academy, Companhia de Dança do Algarve, Centro de Dança do Porto e AMDA/projecto dansul, entre outras. Enquanto intérprete trabalha com diferentes entidades e criadores nacionais em projetos artísticos multidisciplinares. Tem prémios internacionais de coreografia, incluindo Most Innovative Choreography (DWC Bucareste, 2015), 1.º lugar no Netherlands Choreography Competition (Harlem, 2017) e Best Choreography and Innovation Award (VIBE Viena, 2019). Coreografou para o Projecto Quorum (Amadora, 2017), para o Opus Ballet (Florença, 2019) e para a AZul – Rede de Teatros do Algarve (2019). É mestre em Criação Coreográfica Contemporânea (ESD, IPL, 2012), desenvolvendo criações próprias, das quais destaca: “Outra Voz” (2012), “E se pudesses explicar melhor?” (2014), “Ponto Zero” (2015), “Offline” (2016), “Antifrágil” (2018), “Chama-se amor, amor” (2021) e “iD” (2022).
Contact the production of Companhia de Dança de Almada for the presentation of this creation (This email address is being protected from spambots. You need JavaScript enabled to view it.).
